I have an ad out today, for Regency Masquerade!
Some good advice!
What do all these opening lines have in common?
It is a truth universally acknowledged, that a single man in possession of a good fortune, must be in want of a wife. —Jane Austen, Pride and Prejudice (1813)
Happy families are all alike; every unhappy family is unhappy in its own way. —Leo Tolstoy, Anna Karenina (1877)
It was a wrong number that started it, the telephone ringing three times in the dead of night, and the voice on the other end asking for someone he was not. —Paul Auster, City of Glass (1985)
The sky above the port was the color of television, tuned to a dead channel. —William Gibson, Neuromancer (1984)
They’re all telling more than showing the reader anything. They also happen to intrigue the reader, show off the author’s voice, and be really compelling openings to strong books. So why does telling–the narrative voice–have such a…
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Book Reviews of other Aussie authors
“When English society playboy Jonathan Hartley-Huntley is sent to outback Australia after a disastrous affair with his editor, all he wants is to take a few pictures, do a quick interview and get back to his usual life of luxury as soon as possible. Until he meets his host, the irresistible Charlie Hughes, and suddenly the back of beyond is a lot more appealing.
Running the pub is a labour of love for Charlie and she has no desire to ever leave the tiny town of Bindundilly. That is, until Jon discovers an old painting that raises questions about both their lives. Charlie impulsively decides to follow him to London, and as the feelings between them begin to deepen, she starts to wonder if there’s more to life than the pub. But at Jon’s family home, the magnificent Hartley Hall, they become acutely aware…
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